It’s a small enough thing, but this is profoundly depressing.
Of 360 posts to be cut, 120 are from Future Media & Technology, up to 90 from BBC Vision, up to 39 from Audio & Music, 17 from Children’s, 24 from Sport and 70 in journalism from national news and non-news posts on regional news sites.
Outlining its plans today, the BBC said it will meet with commercial rivals twice a year to clarify its online plans, increase links to external sites to generate 22m referrals within three years and will halve the number of top level domains it operates.
The corporation also outlined five editorial priorities for BBC Online and clarified its remit. The BBC aims to meet all these objectives, and make 360 posts redundant, by 2013. The restructured BBC Online department will consist of 10 products including News, iPlayer, CBeebies and Search. Editorial will be refined, with fewer News blogs, and local sites will be stripped of non-news content. Blast, Switch and h2g2 are among the sites to be ditched. Other closures will include the standalone websites for the BBC Radio 5 Live 606 phone-in show and 1Xtra, 5 Live Sports Extra, 6 Music and Radio 7 digital stations.
In all, the BBC is pledging to close half of its 400 top level domains – with 180 to be gone ahead of schedule later this year.
(That’s top level directories, people – the word that goes after “bbc.co.uk/”. The top level domain is “.uk”.)
The BBC’s Web presence is vast, sprawling and a bit anarchic – a quality it has in the past shared with the groups of people responsible for it. (Back in 2002 I made a concerted effort to get some writing work from the technology bit of BBC Online, a task made more difficult by the impossibility of finding any personal contact information on the site. Sustained and ingenious googling eventually rewarded me with a name and a phone number(!). I rang it and spoke to the right person, only to be told that he’d moved to BBC History and was about to move on again. On the other hand, before he left he did commission me to write an 12,000-word timeline of English history from the Romans to Victoria, so it wasn’t as if no good came of it.) There is an awful lot of good stuff there, much of it user-generated, and lots of little online communities that have grown up to support it. And yes, the bits that the corporation pay for are ultimately paid for out of the licence fee, meaning that they don’t have to make money and hence have an advantage over commercial rivals which do. This is a good thing: there are lots of worthwhile things that can be done very easily with a small subsidy, but can only be done with great difficulty, if at all, on a profit-making basis. There is no earthly reason why a corporation which doesn’t have to make money – and can afford to chuck a few grand around here or there – should behave as if it did and couldn’t. No reason, apart from political reasons. So now BBC Online are going to have a “clarified remit”, and they’re going to show their plans to commercial rivals (!) twice a year (!!), and 360 creative people are going to walk.
What really gives this announcement the smell of wanton vandalism – wilful and ignorant destruction – is the part about all the sites that are going to close. Not the fact that they keep getting the terminology wrong – that’s a minor niggle – but the fact that all these sites aren’t going to be kept up as static pages; they’re not even going to be archived. Like all those old Doctor Whos and Not Only… But Alsos, they’re just going to disappear. (All except H2G2, which is going to be sold – news which leaves me feeling relieved but slightly baffled.) Two cheers for the Graun, which put up the whole list but couldn’t resist playing it for laughs – “Ooh look, there’s a site for Bonekickers – that was rubbish, wasn’t it? Let’s see, have they got Howard’s Way?” There isn’t a Howard’s Way site. There is, however, Voices, Nation on Film, the inexhaustible Cult and a curious online mind-mapping thing called Pinball. Check them out while you can. And do take a look at WW2 People’s War, a truly extraordinary work of amateur oral history, which contains… well, here it is in its own words:
The BBC’s WW2 People’s War project ran from June 2003 to January 2006. The aim of the project was to collect the memories of people who had lived and fought during World War Two on a website; these would form the basis of a digital archive which would provide a learning resource for future generations.
The target audience, people who could remember the war, was at least 60 years old. Anyone who had served in the armed forces during the war was, at the start of the project, at least 75. Most of them had no experience of the internet. Yet over the course of the project, over 47,000 stories and 14,000 images were gathered. A national story gathering campaign was launched, where ‘associate centres’ such as libraries, museums and learning centres, ran events to helped gather stories. Many hundereds of volunteers, many attached to local BBC radio stations, assisted in this.
The resulting archive houses all of these memories. These stories don’t give a precise overview of the war, or an accurate list of dates and events; they are a record of how a generation remembered the war, 60 years of more after the events, and remain in the Archive as they were contributed. The Archive is not a historical record of events, a collection of government or BBC information, recordings or documents relating to the war.
47,000 stories! I’ll declare an interest here: the site also contains “historical fact files on 144 key events”, about 40 of which I wrote. (I found the other day that 16 of them have also migrated to the main WWII page, where I guess they will hang on after the cull.) I hate seeing my work go offline, but that’s not the main thing. The main thing is that I know how much work and care went into each of my pieces; the thought of multiplying that by a factor of, well, 47,000, boggles me. And then to snuff all of that out for the sake of saving a few gigabytes of disk space – or, more realistically, for the sake of making the BBC look as if it’s not competing unfairly with its commercial rivals – beggars belief.
Perish the thought that something hugely worthwhile and massively popular, which ITV and Sky can’t do and don’t want to do, should get done for no other reason than that the BBC can do it and do it well. Perish the thought that public money should be spent on capturing irreplaceable memories and assembling them into “a digital archive which would provide a learning resource for future generations”. Perish the thought that a public service media organisation should actually provide a public service. Utter, wanton vandalism.